Writing Advice: By Writers, For Writers

A recent post on The League of Extraordinary Writers blog inspired my own post, as I began thinking over all the writing advice I've read over the past few years. This is particularly helpful to me right now as I haven't written anything other than an email or a letter to various relatives the past 3 weeks. If I'm not writing, I'm still reading, and as cleanliness is next to Godliness or something of the sort, so reading about writing should be next to actually doing it.

What a treasure trove of advice I've rediscovered!  The first advice that comes to mind is Elmore Leonard's essay for the NYTimes series "Writers on Writing". A complete archive of that column can be found here. I believe writing advice is as personal as shopping advice: if it doesn't fit your style, you're not going to pay attention to it. I want my writing to be the spare, pointed, hooptedoodle-lacking writing Elmore Leonard is encouraging, and so I take his advice. (Blogging is different, this is more like chatting to strangers.) But his advice might not fit you, which is why you should read through that archive; I know I'm planning to.

I also take the advice of Bird by Bird: Some Instructions on Writing and Life by Anne Lamott, because even if I don't remember everything she says, that core concept is comforting - we all have to begin somewhere, and might as well take it bird (word) by bird (word). Though I read this before grad school, I believe it was suggested or required reading for a course or two, and so I enjoyed it again, along with Stephen King's On Writing: A Memoir of the Craft and Aspects of the Novel by E.M. Forster, books I'm not sure I would have picked up had it not been for classes Writing I & I.

Some of my favorite books on writing are actually for children, most notably Avi's A Beginning, a Muddle, and an End: The Right Way to Write Writing, illustrated by Tricia Tusa.  This book is a sequel to The End of the Beginning: Being the Adventures of a Small Snail (and an Even Smaller Ant), which, while not about writing, does make some clever commentary about the nature of books and fables. As extra prizes for the Odyssey Book Shop's annual children's writing contest last year, I had the pleasure of handing out both A Beginning, a Muddle, and an End and another book on writing for children, one about the more technical aspects, entitled Spilling Ink: A Young Writer's Handbook by Ellen Potter, Anne Mazer, and illustrated by Matt Phelan. Both present encouragement and advice for aspiring young writers.

Just at the time I began writing this post, I discovered two more books about writing I need to look through. One, How Fiction Works by James Wood, has been compared to E.M. Forster's work mentioned above, but the second is the one I'm most interested in. Off the Page: Writers Talk about Beginnings, Endings, and Everything in Between is a compilation of authors' input marketed as a "literary tell-all". Edited by Carole Burns, with an introduction by Marie Arana, authors are quoted under section titles such as "Haven't I Seen You Somewhere Before?: How Characters Come to Life", "All That Jazz: Playing with Language and Style to Suit the Story", and "Good Writers Borrow, Great Writers Steal: The Writers Whom Writers Love and Why". The list of authors includes Tobias Wolff, Colm Toibin, Art Spiegelman, Marisha Pessl, Tim Parks, Joyce Carol Oates, Walter Mosley, Alice McDermott, Andrea Levy, Jhumpa Lahiri, Edward P. Jones, E. L. Doctorow, Michael Cunningham, A. S. Byatt, Russell Banks, and Paul Auster to name a few.

What books about writing inspire you?

Book Review: Serena by Ron Rash

This was a post I intended to publish over a year ago. Now in paperback, I'm finally going to post my review of Ron Rash's Serena.

Hardcover: 9780061470851, HarperCollins, $24.95
Paperback: 9780061470844, HarperCollins, $14.99

Serena blew my mind a bit.

You wouldn't think upon first picking up a book about a timber empire in North Carolina during the years leading up to the Great Depression that it would be a gripping read for anyone other than a history buff. Yet the cast of characters and the stark reality of Ron Rash's writing creates a compelling and bone-chilling story.

The absolute lack of morality and concern for anyone other than herself makes Serena a heinous individual. You want to hate her, but her intelligence and self-possession make her fascinating. In a harsh land, building a harsh timber empire, Serena is a beautiful, feminine, immovable steel rod who has a blow as heavy as one of the trees felled by her timber crews. Recently married to owner George Pemberton, Serena is as obsessed with power and the unplumbed Brazilian forests, as George is with her. Together they form an nearly unstoppable team of knowledge, money, and Serena's ruthlessness. If someone stands in their way, they will be taken down - whether by a swift knife across the throat, a hunting "accident", or Serena's right-hand man who always gets his prey.

An unnerving subplot involves George Pemberton's illegitimate child, mothered by a local mountain girl, conceived prior to George's marriage to Serena, but birthed afterward. Distracted by her ambitions in other directions, Serena does not focus on the mother and child until later in the book. Then, for reasons of her own, Serena turns her obsession toward them - and it is time for them to die.

Much like the trees now clogging the riverways, Serena will cut down everything in her path: Teddy Roosevelt's plan for a national forest, a local sheriff who is the only man with backbone enough to stand up to her, and the mother and child who retain a claim on the man and the empire that must be solely hers. Serena doesn't share; she takes, eliminates, and possesses.

A frighteningly compelling read, you won't want to put it down until you find out how, why, and who is the next to die. 

-Rebecca

Read this review and others on my personal blog.