Repost: The "Good Guys" of YA Literature

This is a "repost", similar to a "retweet" on Twitter (follow me @rebf). Emily's Reading Room had an inspiring post recognizing the "good guys" of young adult fiction, as opposed to those moody, smoldering, dangerous "bad boys" everyone seems to fall for.

Some of Emily's top favorites included Gilbert Blythe from L.M. Montgomery's Anne of Green Gables, Mr. Darcy from Jane Austen's Pride & Prejudice, Laurie from Louisa May Alcott's Little Women, and Peeta from Suzanne Collins's The Hunger Games.

Obviously this made me question who my own top "good guys" of YA lit are, and these are a few names I came up with:

1. Philip Ammon from Gene Stratton-Porter's A Girl of the Limberlost, one of my top 5, all-time, desert island, favorite books. He's engaged to Edith, but he tries so hard to be a good guy and do the right thing to be worthy of loving Elnora. And of course, if I'm thinking of Philip, I have to put in Freckles, the title character from GSP's Freckles, and the Harvester, the title character from GSP's The Harvester. Really, all of her men are worthy "good guys".

2. Bookish Mac over fast and lose Charlie in Louisa May Alcott's Eight Cousins and A Rose in Bloom finally wins Rose's much-deserved love. And yes, I have a soft spot, in part, due to his bookish nature.

3. T. C. Keller from My Most Excellent Year by Steve Kruger. He loves baseball, has a great relationship with his dad, recites a standing address at the high school talent show to impress the girl, and he's cute to boot.

4. Poor Arthur Dent in A Hitchhiker's Guide to the Galaxy by Douglas Adams. He didn't know what hit him when his planet was blown up, and he's dragged back and forth between one end of the universe to the other. What a relief when he finds a love interest. He deserves it after being such a good sport.

Who are your favorite good guys?

-Rebecca

Click here to view this post, and others, on my personal blog.

Book Review: White Cat by Holly Black & AUTHOR EVENT

 The Odyssey Bookshop welcomes 

Holly Black & Cassandra Clare 

in a duo-author event on 

May 11th at 7 p.m.!

Holly Black's New Release!

White Cat (The Curse Workers #01)
by Holly Black
9781416963967, $17.99, Pub. Date: May 2010

Introducing the beginning of a new Holly Black series! So dark, so complicated, so witty - so wonderful.

How to explain this book to without giving a page-by-page detailed explanation? Okay, let's begin with setting. The time is now, or sometime mirroring now, with the cars, phones, technology, etc. that we have. The difference is the existence of curse work. Some people have the ability to work curses, magic, by touching other people with their bare hands. There are different types of curse work - memory curses, emotion curses, and transmutation curses. Curse working has been outlawed and everyone wears gloves to avoid touching each other with bare hands.

Enter Cassel Sharpe. He was born into a family of curse workers, and though he's an excellent con artist, he's not actually a curse worker. That doesn't mean there isn't something a little magical going on. Cassel keeps dreaming of a white cat, and waking up not in his boarding school dormitory bed. His dreams tend to center around one event he'd like to forget: the night he killed the girl he loved, Lila Zacharov. She was the daughter of the powerful head of the Zacharov crime family. The only reason Cassel is still alive is that his older brothers, all powerful curse workers, covered up for him.

While this all sounds strange in its own right, the part that's more bizarre is that Lila's curse magic was an ability to turn into other animals, and a white cat was her favorite. How is Lila controlling Cassel's dreams if she's supposedly dead? As the complex plot unfolds, Cassel begins to realize he can't trust anyone or anything - not his own family, and worst of all, not even his own memory. Someone has been curse working him. Now if only he could figure out who and why...


Throw in a dysfunctional family, a girlfriend who just dumped him, the beginnings of actual friends for the first time in his life, and you've got one heck of a teenage life to get through.

-Rebecca

See this review on my personal blog.

Cassandra Clare's Trilogy, Mortal Instruments!

City of Bones
9781416955078, Simon & Schuster, $9.99

City of Ashes
9781416972242, Simon & Schuster, $9.99

City of Glass 
9781416914303, Simon & Schuster, $17.99

Book Review: Serena by Ron Rash

This was a post I intended to publish over a year ago. Now in paperback, I'm finally going to post my review of Ron Rash's Serena.

Hardcover: 9780061470851, HarperCollins, $24.95
Paperback: 9780061470844, HarperCollins, $14.99

Serena blew my mind a bit.

You wouldn't think upon first picking up a book about a timber empire in North Carolina during the years leading up to the Great Depression that it would be a gripping read for anyone other than a history buff. Yet the cast of characters and the stark reality of Ron Rash's writing creates a compelling and bone-chilling story.

The absolute lack of morality and concern for anyone other than herself makes Serena a heinous individual. You want to hate her, but her intelligence and self-possession make her fascinating. In a harsh land, building a harsh timber empire, Serena is a beautiful, feminine, immovable steel rod who has a blow as heavy as one of the trees felled by her timber crews. Recently married to owner George Pemberton, Serena is as obsessed with power and the unplumbed Brazilian forests, as George is with her. Together they form an nearly unstoppable team of knowledge, money, and Serena's ruthlessness. If someone stands in their way, they will be taken down - whether by a swift knife across the throat, a hunting "accident", or Serena's right-hand man who always gets his prey.

An unnerving subplot involves George Pemberton's illegitimate child, mothered by a local mountain girl, conceived prior to George's marriage to Serena, but birthed afterward. Distracted by her ambitions in other directions, Serena does not focus on the mother and child until later in the book. Then, for reasons of her own, Serena turns her obsession toward them - and it is time for them to die.

Much like the trees now clogging the riverways, Serena will cut down everything in her path: Teddy Roosevelt's plan for a national forest, a local sheriff who is the only man with backbone enough to stand up to her, and the mother and child who retain a claim on the man and the empire that must be solely hers. Serena doesn't share; she takes, eliminates, and possesses.

A frighteningly compelling read, you won't want to put it down until you find out how, why, and who is the next to die. 

-Rebecca

Read this review and others on my personal blog.

Book Recommendations for 3rd & 4th Grade Boys

Emily, one of this blog's team members, and a grade school teacher, prompted this blog post. Actually, she asked me for this list over a year ago, and she knows how very, truly sorry I am that it's taken me this long to get it for her. Once I had done so, though, I thought I might share it with the world.

The following list is a brief overview of some books that are currently in-print that I think would suit the tastes of boys who are in 3rd or 4th grade, or are reading at a 3rd or 4th grade level. Having never been a 3rd or 4th grade boy, my opinion comes from having a father, an older brother, and many boy customers, all of whom I observe and talk with about books. The general trend runs toward sports, "funny" books, and action/adventure. I'm also throwing some part-graphic novel titles on here, just for fun.

The original series I recommended at the teacher's request was the Dan Gutman series, Baseball Card Adventures (HarperCollins). These stories featured a boy who upon touching a baseball card, would be transported back in time to meet, say, Mickey Mantle or Shoeless Joe.

Continuing on the sports theme, I would also recommend a series by Loren Long and Phil Bildner, originally known as Barnstormers when it was a hardcover-only series, now known as Sluggers in hardcover/paperback (Simon & Schuster). This has a similar feel to the Dan Gutman series, in that it combines baseball and magic, but aren't high-fantasy (no goblins, trolls, etc.). There are six in the series so far. My favorite aspect of this series is that a lot of baseball terminology and slang are used right in the prose, and then defined in the margins of the page. You get to read a great baseball adventure story and learn baseball vocab - what could be better than that?

One last sports series, that's not baseball specific is the Comeback Kids series by Mike Lupica (Penguin). Each book features a boy playing a different sport; so, for instance, one plays basketball, one football, one baseball, etc.

On to non-sports recommendations:

Doctor Proctor's Fart Powder by Jo Nesbo, illustrated by Mike Lowery (9781416979722, $14.99, Simon & Schuster). The word "fart" is in the title. Need I say more?

The Indian in the Cupboard (series) by Lynne Reid Banks (Random House). An oldie but a goodie, though being sensitive to the portrayal of Native Americans in literature, I have to say this series is typically lacking in its cultural sensitivity and accurate tribal-specific information. That said, I read this series as a kid and it's what, in part, influenced me in becoming a Native American studies major in college. So, you never know.

Never underestimate the power of the Choose Your Own Adventure novel, mostly written by R.A. Montgomery, though other writers fill in the series (Chooseco). These don't need to be read in order. They have started publishing some CYOAs at the beginning chapter book level for 1st and 2nd graders, too.

The Jon Scieszka recommendation section of this post:

Knucklehead by Jon Scieszka (9780670011384, $12.99, Penguin). The subtitle is Tall Tales and Mostly True Stories of Growing Up Scieszka. These tales feature the outlandish (mostly true) events that occur when you grow up as one of six brothers. Pictures of Jon Scieszka and his family are sprinkled throughout the book. Some parents have been sensitive to the cover - it was designed specifically that way to reflect the covers of comic books that Scieszka read as a child that age, not as a political statement of today.

Noisy Outlaws, Unfriendly Blobs, and Some Other Things...
(...that aren't as scary, maybe, depending on how you feel about lost lands, stray cellphones, creatures form the sky, parents who disappear in Peru, a man named Lars Farf, and one other story we couldn't quite finish, so maybe you could help us out)
by Nick Hornby, Neil Gaiman, Jon Scieszka, Jonathan Safran Foer, etc. (9780385737470, $12.99, Random House). Besides winning best title of the decade, this book is a great introduction to some fantastic authors. Basically these are all short stories, a few pages long, mostly sci-fi or fantasy-related. A good introduction to this genre and these writers for kids at the Middle Grade reading level.

A similar book for those reading at the higher end of Middle Grade, say 10-14 years old, try Guys Write for Guys Read , edited by Jon Scieszka (9780670011445, $11.99, Penguin). This is the same type of book where all the stories are a few pages long, only not only sci-fi/fantasy-based tales. In this compilation, all the contributing writers are guys, writing for a guy audience.

Part graphic novel, part regular novel recommendations:

Frankie Pickle and the Closet of Doom & Frankie Pickle and the Pine Run 3000 (series starring Frankie Pickle) by Eric Wight (Simon & Schuster). This series is a little easier reading level for those reluctant readers, more of a 2nd to 3rd grade level. The "every day" scenes are in prose; it's when Frankie's imagination takes over that the graphic novel element comes to life.

Dragonbreath (series) by Ursula Vernon (Penguin). A relatively new series starring a little dragon as the main character, but in the role of a boy; also featuring a foreign exchange student (a salamander) and ninja frogs.

The Fog Mound (trilogy) by Susan Schade and Jon Buller (Simon & Schuster). Recommended by my Simon & Schuster book rep, this series is about a chipmunk named Thelonious who is given the chance to find out if the old stories are true - if people rather than animals once ruled the Earth, and if they did, what happened to the humans?

Now that you've heard my two cents, does the peanut gallery have any favorites they'd like to add?

-Rebecca

Also posted on my personal blog here.

She said, He said: Novels with multiple narrators

A sales rep friend posed this question online today:

I have a writer friend who is looking for YA (or adult) novels that are told in alternating voices. She wants examples where each character has a chapter and they go back and forth between points of view. It’s a bonus if the characters live in different time periods.

The varied responses from the people who answered her, and the fact that I'm working on a YA novel told from various view points, made me reflect on that topic.

A co-worker once lamented about dual-narrator novels, saying something to the effect of, "Unless it's written really really well, it's a cop-out" (I'm paraphrasing greatly here). After I heard her reasoning, I admit I judged dual-narrator novels more harshly, despite writing one of my own.

The way I defend my own writing is that I didn't want to tell the entire novel from a third-person omniscient narrator POV, and both main characters are, ya know, main characters with two distinct voices, so...mine works (I hope).

But what really makes a novel work with multiple voices and in which cases is it unnecessary to the plot? A lot of novels have more than one main character, or really important secondary characters; why should they not all have their own voice? Often scenes are told from the POV of a character other than the main character, but almost never in first person. It is the omniscient narrator that allows the reader to gaze through the eyes of a secondary character, and it abundantly clear that the POV of the primary protagonist is the central focus.

Of course, I'm also confusing this subject by talking about POV (point-of-view), voices, and narrators, and all that doesn't include various storytelling formats such as diary entries, letters, phone conversation transcripts, and the recently more common emails and text messages. Where do all of these fit into the subject of multiple narrators?

While I don't have concrete answers to the questions I've posed, here are some books to hold up as examples for things I think they do particularly well.

My Most Excellent Year by Steve Kluger (9780142413432, $8.99, Penguin) is my go-to favorite for multiple narrator/multiple format storytelling. This is a YA novel about three contemporary teenagers. The novel exhibits three different main character points-of-view, with plenty of secondary characters, texts, emails, IMs, diary entries, and expository scenes.

Another favorite contemporary YA novel that switches not only narrators, but also time periods, is Printz Award-winning Jellicoe Road by Melina Marchetta (9780061431852, $8.99, Harper). Warning: It makes me sob (good tears) every time I read it; it's that good.

A new, not-yet-released YA novel told by dual narrators is Will Grayson, Will Grayson by John Green and David Levithan (9780525421580, $17.99, Penguin, Pub. Date: April 2010). Interestingly, the two different view points are written by two different authors.

My favorite adult novel, though sadly out-of-print, is Letters from an Age of Reason by Nora Hague (9780060959852, Harper). Told in alternating sections, letters and journal entries chronicle the relationship between a white American living in England during the Civil War years, and the high-yellow former slave from New Orleans she falls in love with.

Also told in letters, is a non-fiction book, 84, Charing Cross Road by Helene Hanff (9780140143508, $13, Penguin), which covers the decades of correspondence between Helene, the American author, and the people from the bookstore at 84 Charing Cross Road. Also adult.

Similar to 84... is the best-seller The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer and Annie Barrows (9780385341004, $14, Random House). Also about an American author corresponding with British people, this takes place right after WWII, and delicately showcases the friendships and budding romance. Also adult.

Nora Roberts, also writing as J.D. Robb, often writes scenes from a secondary character's point of view, though it is always clear who the main character is. Her more romantic novels are almost always told primarily through the woman's point of view, but a great strength of her novels are the scenes that are seen through the man's eyes. In her J.D. Robb ...In Death mysteries, not only does the reader see Eve Dallas's and her husband Roarke's POV, but scenes from various victims' POV are often presented as well.

For another great mystery, read Darling Jim by Christian Moerk (9780805092080, $15, Henry Hold (MPS)), told from the POVs of a postman, a dead woman and her diary, and a live woman and her diary, among others.

I've noticed YA fantasy novels have a propensity for being told with dual narrators. Here is a quick list of books I've read that showcase dual or multiple narrators that are currently on the store's shelves:

Hearts at Stake (9780802720740, $9.99, Walker & Company (Bloomsbury, MPS)) and Blood Feud (9780802720962, $9.99, Walker & Company (Bloomsbury, MPS)) by Alyxandra Harvey

Incarceron (9780803733961, $17.99, Penguin) by Catherine Fisher

Leviathan (9781416971733, $19.99, Simon) by Scott Westerfeld

Sorcery & Cecelia, or, The Enchanted Chocolate Pot (9780152053000, $6.95, Houghton Mifflin Harcourt) by Patricia C. Wrede & Caroline Stevermer

Witch & Wizard (9780316036245, $17.99, Little, Brown & Co.) by James Patterson & Gabrielle Charbonnet

Do you have any examples of novels of this ilk you'd like to share?

-Rebecca