Tuesday, March 23, 2010
Sunday, March 21, 2010
Julie and Julia - Julia dances with her Mastering the Art of French Cooking in her kitchen with her husband looking on.
Anne of Avonlea - Anne shows a copy of her first book to Gilbert as he lay deathly ill.
Little Women - What is more exciting than watching Winnona Rider as Jo tear the brown paper wrapping from her manuscript?
Miss Potter - Don't you want to see your book displayed in the front window of a bookshop?
Friday, March 19, 2010
She is a 2007 recipient of the AIGA Gold Medal, one of the highest honors given to a graphic designer or design educator in the U.S.
Indie Publishing: How to Design and Produce Your Own Book (2008).
Design Your Life, by Ellen and Julia Lupton, is a series of irreverent snapshots about design and everyday life. Design Your Life casts a sharp eye on everything from roller bags, bras, porches, and stuffed animals to parenting, piles, and potted plants. The book is illustrated throughout with original paintings of objects both ordinary and odd.
Thursday, March 18, 2010
The following list is a brief overview of some books that are currently in-print that I think would suit the tastes of boys who are in 3rd or 4th grade, or are reading at a 3rd or 4th grade level. Having never been a 3rd or 4th grade boy, my opinion comes from having a father, an older brother, and many boy customers, all of whom I observe and talk with about books. The general trend runs toward sports, "funny" books, and action/adventure. I'm also throwing some part-graphic novel titles on here, just for fun.
The original series I recommended at the teacher's request was the Dan Gutman series, Baseball Card Adventures (HarperCollins). These stories featured a boy who upon touching a baseball card, would be transported back in time to meet, say, Mickey Mantle or Shoeless Joe.
Continuing on the sports theme, I would also recommend a series by Loren Long and Phil Bildner, originally known as Barnstormers when it was a hardcover-only series, now known as Sluggers in hardcover/paperback (Simon & Schuster). This has a similar feel to the Dan Gutman series, in that it combines baseball and magic, but aren't high-fantasy (no goblins, trolls, etc.). There are six in the series so far. My favorite aspect of this series is that a lot of baseball terminology and slang are used right in the prose, and then defined in the margins of the page. You get to read a great baseball adventure story and learn baseball vocab - what could be better than that?
One last sports series, that's not baseball specific is the Comeback Kids series by Mike Lupica (Penguin). Each book features a boy playing a different sport; so, for instance, one plays basketball, one football, one baseball, etc.
On to non-sports recommendations:
Doctor Proctor's Fart Powder by Jo Nesbo, illustrated by Mike Lowery (9781416979722, $14.99, Simon & Schuster). The word "fart" is in the title. Need I say more?
The Indian in the Cupboard (series) by Lynne Reid Banks (Random House). An oldie but a goodie, though being sensitive to the portrayal of Native Americans in literature, I have to say this series is typically lacking in its cultural sensitivity and accurate tribal-specific information. That said, I read this series as a kid and it's what, in part, influenced me in becoming a Native American studies major in college. So, you never know.
Never underestimate the power of the Choose Your Own Adventure novel, mostly written by R.A. Montgomery, though other writers fill in the series (Chooseco). These don't need to be read in order. They have started publishing some CYOAs at the beginning chapter book level for 1st and 2nd graders, too.
The Jon Scieszka recommendation section of this post:
Knucklehead by Jon Scieszka (9780670011384, $12.99, Penguin). The subtitle is Tall Tales and Mostly True Stories of Growing Up Scieszka. These tales feature the outlandish (mostly true) events that occur when you grow up as one of six brothers. Pictures of Jon Scieszka and his family are sprinkled throughout the book. Some parents have been sensitive to the cover - it was designed specifically that way to reflect the covers of comic books that Scieszka read as a child that age, not as a political statement of today.
Noisy Outlaws, Unfriendly Blobs, and Some Other Things...
(...that aren't as scary, maybe, depending on how you feel about lost lands, stray cellphones, creatures form the sky, parents who disappear in Peru, a man named Lars Farf, and one other story we couldn't quite finish, so maybe you could help us out)
by Nick Hornby, Neil Gaiman, Jon Scieszka, Jonathan Safran Foer, etc. (9780385737470, $12.99, Random House). Besides winning best title of the decade, this book is a great introduction to some fantastic authors. Basically these are all short stories, a few pages long, mostly sci-fi or fantasy-related. A good introduction to this genre and these writers for kids at the Middle Grade reading level.
A similar book for those reading at the higher end of Middle Grade, say 10-14 years old, try Guys Write for Guys Read , edited by Jon Scieszka (9780670011445, $11.99, Penguin). This is the same type of book where all the stories are a few pages long, only not only sci-fi/fantasy-based tales. In this compilation, all the contributing writers are guys, writing for a guy audience.
Part graphic novel, part regular novel recommendations:
Frankie Pickle and the Closet of Doom & Frankie Pickle and the Pine Run 3000 (series starring Frankie Pickle) by Eric Wight (Simon & Schuster). This series is a little easier reading level for those reluctant readers, more of a 2nd to 3rd grade level. The "every day" scenes are in prose; it's when Frankie's imagination takes over that the graphic novel element comes to life.
Dragonbreath (series) by Ursula Vernon (Penguin). A relatively new series starring a little dragon as the main character, but in the role of a boy; also featuring a foreign exchange student (a salamander) and ninja frogs.
The Fog Mound (trilogy) by Susan Schade and Jon Buller (Simon & Schuster). Recommended by my Simon & Schuster book rep, this series is about a chipmunk named Thelonious who is given the chance to find out if the old stories are true - if people rather than animals once ruled the Earth, and if they did, what happened to the humans?
Now that you've heard my two cents, does the peanut gallery have any favorites they'd like to add?
Also posted on my personal blog here.
Wednesday, March 17, 2010
Sunday, March 14, 2010
Thursday, March 11, 2010
I have a writer friend who is looking for YA (or adult) novels that are told in alternating voices. She wants examples where each character has a chapter and they go back and forth between points of view. It’s a bonus if the characters live in different time periods.
The varied responses from the people who answered her, and the fact that I'm working on a YA novel told from various view points, made me reflect on that topic.
A co-worker once lamented about dual-narrator novels, saying something to the effect of, "Unless it's written really really well, it's a cop-out" (I'm paraphrasing greatly here). After I heard her reasoning, I admit I judged dual-narrator novels more harshly, despite writing one of my own.
The way I defend my own writing is that I didn't want to tell the entire novel from a third-person omniscient narrator POV, and both main characters are, ya know, main characters with two distinct voices, so...mine works (I hope).
But what really makes a novel work with multiple voices and in which cases is it unnecessary to the plot? A lot of novels have more than one main character, or really important secondary characters; why should they not all have their own voice? Often scenes are told from the POV of a character other than the main character, but almost never in first person. It is the omniscient narrator that allows the reader to gaze through the eyes of a secondary character, and it abundantly clear that the POV of the primary protagonist is the central focus.
Of course, I'm also confusing this subject by talking about POV (point-of-view), voices, and narrators, and all that doesn't include various storytelling formats such as diary entries, letters, phone conversation transcripts, and the recently more common emails and text messages. Where do all of these fit into the subject of multiple narrators?
While I don't have concrete answers to the questions I've posed, here are some books to hold up as examples for things I think they do particularly well.
My Most Excellent Year by Steve Kluger (9780142413432, $8.99, Penguin) is my go-to favorite for multiple narrator/multiple format storytelling. This is a YA novel about three contemporary teenagers. The novel exhibits three different main character points-of-view, with plenty of secondary characters, texts, emails, IMs, diary entries, and expository scenes.
Another favorite contemporary YA novel that switches not only narrators, but also time periods, is Printz Award-winning Jellicoe Road by Melina Marchetta (9780061431852, $8.99, Harper). Warning: It makes me sob (good tears) every time I read it; it's that good.
A new, not-yet-released YA novel told by dual narrators is Will Grayson, Will Grayson by John Green and David Levithan (9780525421580, $17.99, Penguin, Pub. Date: April 2010). Interestingly, the two different view points are written by two different authors.
My favorite adult novel, though sadly out-of-print, is Letters from an Age of Reason by Nora Hague (9780060959852, Harper). Told in alternating sections, letters and journal entries chronicle the relationship between a white American living in England during the Civil War years, and the high-yellow former slave from New Orleans she falls in love with.
Also told in letters, is a non-fiction book, 84, Charing Cross Road by Helene Hanff (9780140143508, $13, Penguin), which covers the decades of correspondence between Helene, the American author, and the people from the bookstore at 84 Charing Cross Road. Also adult.
Similar to 84... is the best-seller The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer and Annie Barrows (9780385341004, $14, Random House). Also about an American author corresponding with British people, this takes place right after WWII, and delicately showcases the friendships and budding romance. Also adult.
Nora Roberts, also writing as J.D. Robb, often writes scenes from a secondary character's point of view, though it is always clear who the main character is. Her more romantic novels are almost always told primarily through the woman's point of view, but a great strength of her novels are the scenes that are seen through the man's eyes. In her J.D. Robb ...In Death mysteries, not only does the reader see Eve Dallas's and her husband Roarke's POV, but scenes from various victims' POV are often presented as well.
For another great mystery, read Darling Jim by Christian Moerk (9780805092080, $15, Henry Hold (MPS)), told from the POVs of a postman, a dead woman and her diary, and a live woman and her diary, among others.
I've noticed YA fantasy novels have a propensity for being told with dual narrators. Here is a quick list of books I've read that showcase dual or multiple narrators that are currently on the store's shelves:
Hearts at Stake (9780802720740, $9.99, Walker & Company (Bloomsbury, MPS)) and Blood Feud (9780802720962, $9.99, Walker & Company (Bloomsbury, MPS)) by Alyxandra Harvey
Incarceron (9780803733961, $17.99, Penguin) by Catherine Fisher
Leviathan (9781416971733, $19.99, Simon) by Scott Westerfeld
Sorcery & Cecelia, or, The Enchanted Chocolate Pot (9780152053000, $6.95, Houghton Mifflin Harcourt) by Patricia C. Wrede & Caroline Stevermer
Witch & Wizard (9780316036245, $17.99, Little, Brown & Co.) by James Patterson & Gabrielle Charbonnet
Do you have any examples of novels of this ilk you'd like to share?
Tuesday, March 9, 2010
Saturday, March 6, 2010
Candlewick Launches Marketing Program for Indies: "Candlewick Press in Somerville, Mass.,affirmed its commitment to independ..."
February 18, 2008 These book covers are from before the 1970s
(some from much earlier), and were all designed for a children's
audience. What's interesting to me about these covers is that
they don't look "dumbed down", just because their target audience
may not be able to tell the difference. All are examples of interesting
design married with beautiful illustration.
These covers were all pulled from Children's Book Covers,
by Alan Powers.
Tags: book covers, book design, print, publishing
Topic: Graphic Design
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Thursday, March 4, 2010
Penguin has created a new line of books known as Penguin Ink. Already published adult novels are getting a face lift with new cover designs created by tattoo artists. Paul Buckley is the design director for this new line.
The first six novels are being re-released at the end of June. They are:
Bridget Jones's Diary
by Helen Fielding, cover design by Tara McPherson
Paperback: 9780143117131, $15, Penguin, Pub. Date: June 2010
Money: A Suicide Note
by Marin Amis, cover design by Bert Krak
Paperback: 9780143116950, $15, Penguin, Pub. Date: June 2010
From Russia With Love
by Ian Fleming, cover design by Chris Garver
Paperback: 9780143116943, $15, Penguin, Pub. Date: June 2010
The Broom of the System
by David Foster Wallace, cover design by Duke Riley
Paperback: 9780143116936, $15, Penguin, Pub. Date: June 2010
Waiting for the Barbarians
by J.M. Coetzee, cover design by Chris Conn
Paperback: 9780143116929, $15, Penguin, Pub. Date: June 2010
The Bone People
by Keri Hulme, cover design by Pepa Heller
Paperback: 9780143116455, $15, Penguin, Pub. Date: June 2010
Read more about this here.
And in case you missed it in an earlier post, some adult Penguin Classics have been redone to have intricate typography covers in shades of black, white, and red - the red is to spark AIDS awareness, the cause behind the repackaging. Read more about the Penguin Classics here.
This blog post was originally posted here. - Rebecca Fabian
What are some of your favorites? S